PIMSPontifical Institute
of
Mediaeval Studies

Looking beyond author portraits and the genre known as the accessus ad auctores, usually seen as the sites of such claims, this study examines pic­torial programmes in copies of Horace’s poetic works, the Glossa ordinaria, the dominant biblical commentary of the first half of the twelfth century, anti-heretical polemics, and Rupert of Deutz’s commentary on the Song of Songs. The inventive images fashioned to accompany these works do not merely illustrate or exemplify pre-existing understandings of authorship; rather, they help to shape them at the very moment at which a particular historically situated set of ideas about authorship was itself coming into being.

Pictorial prefaces of the twelfth century represent commentaries of their own that work both in concert with the commentaries to which they are attached but also, at times, in ways that go beyond anything that the commentator himself authored or authorized. In this way, they participate in a broader trend in the High Middle Ages to cham­pion the ability of images to articulate and elabo­rate in the manner of rhetorical persuasion com­plex arguments regarding critical matters of faith.

Excerpt

The introduction

Author

Jeffrey F. Hamburger is the Kuno Francke Professor of German Art and Culture in the Department of the History of Art and Architecture at Harvard University. His most recent book is Diagramming Devotion: Berthold of Nuremberg’s Transformation of Hrabanus Maurus’s Poems in Praise of the Cross (2020). He is co-author, with Eva Schlotheuber, Margot Fassler, and Susan Marti, of Liturgical Life and Latin Learning at Paradies bei Soest, 1300–1425 (2017), and co-editor, with Robert Suckale and Gude Suckale-Redlefsen, of Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century (2018), also published in Text Image Context.

Endorsements

“This is a brilliant study of illuminated manuscripts of authoritative writers which moves beyond specific author-portraits to explore a wider interpretive context, including representations of the writers of commentaries on auctores and indeed imagery which leaves the human form behind. Monastic illuminators constructed perspectives both narrative and allegorical, which did not merely exemplify or parallel, but did much to shape, ideas of authorship then becoming current in literature. Those artists were prominently present at ‘the birth of the author.’

Jeffrey Hamburger establishes the significance of their genre of the ‘pictorial preface’ and explores the ways in which it shaped readers’ perception of texts, and of those to whom their authorship was attributed, with sensitivity and brio. His methodology throughout is intellectually convincing and aesthetically appealing, and his command of the primary images and texts, along with secondary literature in several European languages, impeccable. Elegantly and enthusiastically written, The Birth of the Author is the very model of what interdisciplinary research should be. It demonstrates superbly well that images which functioned as avatars of authorship and authority could, in their own right, serve as vessels of truth and vehicles of complex, self-conscious argumentation.” — Alastair J. Minnis, Yale University

Ordering

Customers in North America please order through University of Toronto Press Distribution by phone (1-800-565-9523) or by email (utpbooks@utpress.utoronto.ca). If you would like to order through UTP Distribution using another method such as mail or fax, please click here for a full list of contact and ordering methods. PIMS books are also available on Amazon.ca (for Canadian customers) and Amazon.com (for customers in the U.S.).

Customers outside North America please order through Brepols Publishers. PIMS books are available through the Brepols online catalogue.