Catalogue

Edited by
David F. Appleby and Teresa Olsen Pierre

On the Shoulders of Giants: Essays in Honor of Glenn W. Olsen

Papers in Mediaeval Studies 27. xii, 262 pp. 2015. ISBN 978-0-88844-827-9 • Cloth • $90

The allusion in the title to the dwarf on the shoulders of the giant underscores the central themes of this collection: the debt each generation owes to the intellectual achievements of those that precede it, the continuous interpenetration between the present and the past, and the place of tradition as well as change and renewal in culture and history. The topos is particularly apt for this volume, for it allows students and colleagues to express their own distinctive debts to Glenn W. Olsen, a formidable scholar, respected advisor, and cherished friend.

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Susan R. Kramer

Sin, Interiority, and Selfhood in the Twelfth-Century West

Studies and Texts 200. xii, 172 pp. 2015. ISBN 978-0-88844-200-0 • Cloth • $85

A common refrain in twelfth-century thought is that God alone knows the secrets of the heart. Originating in Scripture, the principle was elaborated exegetically to imply two distinct domains: one of external actions open to human perception and judgment and the other including thoughts, intentions, and sentiments – the products of internal acts – visible only to God. But changes in medieval penance, especially in the Fourth Lateran Council’s demand in 1215 that all Christians fully confess their sins to a priest, reveals a shift in attitude towards the secrecy of the heart. A close reading of twelfth and thirteenth-century texts from the cathedral and monastic schools shows that oral confession was to include not only visible, external acts, but also the merely internal actions formerly limited to God’s knowledge.

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Gregory T. Clark

Art in a Time of War: The Master of Morgan 453 and Manuscript Illumination in Paris during the English Occupation (1419–1435)

Studies and Texts 197; Text Image Context: Studies in Medieval Manuscript Illumination 3. xxviii, 388 pp., including 253 colour images. 2016. ISBN 978-0-88844-197-3 • Cloth • $130

Art in a Time of War seeks to fill an important gap in our knowledge of painting in fifteenth-century France. Focusing on the work of “the Master of Morgan 453,” an accomplished, if unnamed, manuscript illuminator, Clark identifies, compares, and analyzes all extant books that can be attributed to the painter and reconstructs his career on the basis of a wide range of liturgical as well as art-historical criteria.

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Matthew Doyle

Peter Lombard and His Students

Studies and Texts 201; Mediaeval Law and Theology 8. xii, 302 pp. 2016. ISBN 978-0-88844-201-7 • Cloth • $90

Peter Lombard is best known for his groundbreaking theological work, the Sentences. But the exclusive focus on this work has tended to divert attention away from other aspects of his life and work. This book therefore takes a broadly biographical approach to Peter Lombard, examining him in relation to his environment and milieu.

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Adrian Green

Building for England: John Cosin’s Architecture in Renaissance Durham and Cambridge

DMRME 4. xviii+152 pp. plus 26 plates. 2016. ISBN 978-0-88844-863-7 • Cloth • $85

Setting the architectural patronage of John Cosin (1595–1672) in the context of his ambitions for the English Church, this volume argues that his architecture sprang from a national impulse for the greater glory of England and embodies his theology of free will and authoritarian ideology.

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Samuel Presbiter

Notes from the School of William de Montibus / Collecta ex diuersis auditis in scola magistri Willelmi de Monte

Edited from Oxford, Bodleian Library, MS Bodley 860 by ANDREW N.J. DUNNING

TMLT 33. x, 122 pp. 2016. ISBN 978-0-88844-483-7 • Paper • $19.95

Preserved in a single manuscript from the abbey library of Bury St Edmunds, and here edited for the first time, Samuel Presbiter’s series of short, extensively annotated poems offers a rare record of one of the innovative formats that medieval schoolmasters used to engage students beyond conventional lectures. The text affords the reader a vivid experience of immersion in the pedagogical techniques of the twelfth-century classroom. The poems and commentary present key lessons from the doctrinal instruction of William de Montibus (c. 1140–1213), the beloved master of the school of Lincoln Cathedral.

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Edited by
Jonathan Black

Mediaeval Studies Volume 77 (2015)

ISSN 0076-5872
Volume 77 (2015) • ISBN 978-0-88844-679-4 • $110

An annual journal of scholarship on the Middle Ages. A description of the journal and editorial policy, as well as tables of contents for recently published volumes, and indexes in electronic form, are available on the Mediaeval Studies page elsewhere on this site.

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Power Politics in Kievan Rus': Vladimir Monomakh and His Dynasty, 1054–1246

Studies and Texts 202. xxii, 432 pp., plus 16 b/w plates. 2016. ISBN 978-0-88844-202-4 • Cloth • $95

The aim of this study is to write the political history of the dynasty of Kievan Rus′ descended from Vladimir Vsevolodovich Monomakh, which ruled from the middle of the eleventh century to the middle of the thirteenth century. In doing so, it argues, both from documented evidence and from circumstantial evidence, that Monomakh manipulated the politics of Rus′ to his advantage.

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Karl Whittington

Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination

Studies and Texts 186; Text Image Context: Studies in Medieval Manuscript Illumination 1. 2014. xii, 212 pp.

New in Paperback (2016): ISBN 978-0-88844-426-4 • $45.00
Casebound: ISBN 978-0-88844-186-7 • $85.00

The Italian priest Opicinus de Canistris fell ill in 1334 and had a divine vision that inspired drawings of continents and oceans transformed into human figures; these beautifully strange drawings relate to contemporary maps and seacharts, religious iconography, medical illustration, and cosmological diagrams.

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Edited by
Elisabet Göransson, Gunilla Iversen, Barbara Crostini, Brian M. Jensen, Erika Kihlman, Eva Odelman, and Denis Searby

The Arts of Editing Medieval Greek and Latin: A Casebook

Studies and Texts 203. xx, 452 pp. 2016. ISBN 978-0-88844-203-1 • Cloth • $70

With the triumph of the codex, medieval literature became more deeply hermeneutic in character. A vast range of texts, in various languages and genres, were not only copied with the commentaries and glosses of ancient tradition, but also underwent continuous reworking and transformation. Indeed, the very act of transcribing texts into a manuscript was often an incentive to rewrite them. This practice resulted in a bewildering number of textual versions that lived alongside their originals, and sometimes displaced them, but were nevertheless fundamental to their transmission and interpretation, often resulting in complex textual layers.

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Richard F. Gyug

Liturgy and Law in a Dalmatian City: The Bishop's Book of Kotor (Sankt-Peterburg, BRAN, F. no. 200)

Studies and Texts 204; Monumenta Liturgica Beneventana 7. xxxii, 640 pp. plus 10 plates. ISBN 978-0-88844-204-8 • Cloth • $110

The manuscript that is the subject of this study and edition constitutes a rich source for the study of the society and culture of the southern Dalmatian coast. The major parts of the manuscript were written in Beneventan script in the mid-twelfth century, perhaps for the dedication in 1166 of the new cathedral of Kotor in southern Dalmatia, now Montenegro. The core of the manuscript, which contains a lectionary with epistles and gospels for major feasts of the liturgical year and a pontifical with ceremonies proper to a bishop, functioned as a liturgical compendium for the use of the cathedral and bishop of Kotor. Two gatherings of sermons were added to the codex, likely in the early thirteenth century, and ecclesiastical documents and communal statutes were copied in the margins and on blank pages.

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Edited by
Francesca Bugliani Knox

Ronald Knox: A Man for All Seasons

Essays on his life and works with selections from his published and unpublished writings

xviii, 386 pp. plus 16 plates. 2016. ISBN 978-0-88844-425-7 • Cloth • $65

Ronald Knox occupies a conspicuous role in English religious, cultural and literary history, and he was also one of the leading lights of the English “Catholic revival” of the first half of the twentieth century. This collection of essays examines his many interests, setting them in their historical context. It discusses the profound effect that the Great War had on his religious life, his engagement with Benedictine spirituality, the distinctive characteristics of his apologetics and preaching, and his engagement with a wide circle of friends and acquaintances. In so doing, it illuminates aspects of his life, as well as the circumstances of his several pastoral ministries, that have been neglected.

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Edited by
Mia Münster-Swendsen, Thomas K. Heebøll-Holm, and Sigbjørn Olsen Sønnesyn

Historical and Intellectual Culture in the Long Twelfth Century: The Scandinavian Connection

Durham Medieval and Renaissance Monographs and Essays 5. xiv, 322 pp. 2016. ISBN 978-0-88844-864-4 • Cloth • $95

In the wake of religious conversion and the establishment of more stable political systems, the outskirts of Latin Christendom produced historical narratives providing their present identities with a foundational past. The essays gathered here all seek to illuminate the emergence of a written historical culture in Denmark from the early twelfth century onwards by situating this historical culture in a wider geographical, chronological, and cultural context.

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Luisa Nardini

Interlacing Traditions: Neo-Gregorian Chant Propers in Beneventan Manuscripts

Studies and Texts 205; Monumenta Liturgica Beneventana 8. xvi, 444 pp. plus 16 plates. ISBN 978-0-88844-205-5 • Cloth • $100

This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture.

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Editor in Chief
Greti Dinkova-Bruun

Associate Editors
Julia Haig Gaisser and James Hankins

Catalogus Translationum et Commentariorum, Volume XI

Mediaeval and Renaissance Latin Translations and Commentaries: Annotated Lists and Guides

CTC 11. 2016. xl, 416 pp. ISBN 978-0-88844-951-1 • Cloth • $95

In this volume, the eleventh in the series, five full-length articles devoted to Polybius, Diodorus Siculus, Zosimus, Procopius of Caesarea, and the fictitious Dares Phrygius are supplemented by addenda and corrigenda to articles previously published on Valerius Maximus, Petronius Arbiter, Martialis, and Martianus Capella.

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Translated by
Nicholas Everett

Patron Saints of Early Medieval Italy AD c.350–800: History and Hagiography in Ten Biographies

Durham Medieval and Renaissance Texts and Translations 5. 2016. xii, 276 pp. plus 2 plates. ISBN 978-0-88844-565-0 • Paper • $30.00

This book provides the first translation into English of the Latin biographies of nine holy men and one archangel who became the patron saints of the areas where they evangelized, documenting the conversion of pagan Roman Italy to Christianity at the dawn of the Middle Ages.

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Edited by
Börje Bydén and Christina Thomsen Thörnqvist

The Aristotelian Tradition: Aristotle’s Works on Logic and Metaphysics and Their Reception in the Middle Ages

Papers in Mediaeval Studies 28. 2017. viii, 395 pp. ISBN 978-0-88844-828-6 • Cloth • $95

While this volume amply illustrates the set of scholarly approaches characteristic of the “Copenhagen School of Medieval Philosophy” (notably a strong philological foundation and an interest in ancient as well as medieval and Greek as well as Latin texts), its thematic diversity reflects a great breadth of interests. What unites the collection in this respect is simply a concern with different historical manifestations of Aristotelian thought on logical and metaphysical matters.

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Edited by
Monica Azzolini and Isabella Lazzarini

Italian Renaissance Diplomacy: A Sourcebook

Durham Medieval and Renaissance Texts and Translations 6. 2017. xii, 300 pp. plus 6 plates. ISBN 978-0-88844-566-7 • Paper • $30.00

During the period ca. 1350–ca. 1520 covered by the present volume, diplomatic sources became extremely rich and abundant. This sourcebook presents a selection of primary materials, both published and unpublished, which are mostly unavailable to English readers: a broad range of diplomatic sources, thematically organized, are introduced, translated, and annotated by an international team of leading scholars of the Italian Renaissance.

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